Headlands application

IMAGE UPLOADS : 11

PROXY_Florence

PROXY_Florence

Title: PROXY_Florence

Date: 2009

Media: Google Panoramio, Facebook, Variable data printed postcards ((of 500 unique images,)) laser cut tag holder indicating the coordinate data of each image and are illuminated when a card is taken away.

Size: The city of Florence scaled down to fit in a gallery. Images of Florence gathered from around the globe.

Where: [43°46’22”N – 11°15’27”E] and virtually from 27 countries

Conceptual Intent: exploring the potential of a new kind of urbanism of public, intimate and collective interaction between people across time and space. NEEDS WORK

Project description: a dynamic map and a collective story of Florence created through the interplay of virtual space and physical space and the interaction of 500 collaborators from 27 countries. A dispersed, moving document creating interaction and exchange. NEEDS WORK (Image 1 of 2. More images in my website)

ADD SECOND IMAGE

 

SUPERABSORBER

Super ABSORBER

superabsorber

Title: superABSORBER

Date: June 2007

Media: parametrically defined conical pores covered with photocatalytic cement on our nation’s highways

Size: 46,837 miles

Where: United States Highways

Conceptual Intent: ?? ADD CONCEPTUAL INTENT

superABSORBER – Like a living sponge, it absorbs and transforms air, sound and light pollution into something positive delineating delicately the topography of our landscape with filtered light and flicker. It replaces miles of highway wall barriers erected daily with a poetic solution that also reduces greenhouse gasses globally through a chemical reaction on the intricate sponge-like surface. (Image 1 0f 2)

superABSORBER – Like a living sponge, it absorbs and transforms air, sound and light pollution into something positive delineating the topography of our landscape with filtered light and flicker. It replaces miles of highway wall barriers erected daily with a poetic solution that invites play and interaction between neighbors while also reducing greenhouse gasses globally through a chemical reaction on the intricate sponge-like surface. (Image 1 of 2) STILL NEED TO ADD MUSICAL INSTRUMENT

 

NY A/V

NY A/V

NY A/V

REPLACE WITH POSTCARD IMAGE NY A/V (image 2 0f 2)

Title: NY A/V

Date: August 2001-2004

Media: 625 stationary video shots over seven days zooming north connected into one seemingly continuous zoom and played within a moving container marked with information about the city.

Size: 255 city blocks

Where: Broadway Street in Manhattan, NYC

Conceptual Intent: expanding traditional means of representation ((through)) via a full scale inhabitable moving document. ((which combines)) combining the vocabularies of drawing and moving image and invites the inhabitants of the city to actively become aware of their ever changing environment. ((This study, which merges the vocabularies of drawing and of moving image to address time in the study of place is drawn by the movement of the investigators’ bodies/camera as if giant instruments with which to measure, locate, inscribe and represent the city. The representation is temporal, inhabitable and interactive.))

Project description:

 

DISPERSED MEMORIAL – IMPROMPTU

Dispersed Memorial

Title: Dispersed Memorial – Impromptu

Date: August 2011

Media: perforated handheld paper cards held to the light and photographed at various locations nationally and internationally. Documented via an interactive website which maps the images and organizes the collective moments of remembrance.

Size: 100 people, 26 cities ?? photos, ((size of card)) project, infinite ((or mention the number of victims (do that on other memorial)

Where: anywhere where one can pause, reflect and where a conversation of remembrance could take place

Conceptual Intent: unity

Impromptu, Dispersed Memorial – Through delicate voids held up to the light, an ephemeral image is made visible and a moment of remembrance is initiated, prompting a collective conversation about the memory of lost lives and changed skyline during the events of September 11, 2001. An online database maps these images in a network of exchanges and stories and a collective dispersed memorial is created. This impromptu memorial references an earlier project – Dispersed Memorial. (Image 1 of 1)

 

MOTION MAPPING  CONSIDER REPLACING WITH ONE IN BODY OF STRING

Motion Mapping

Title: Motion Mapping CONSIDER DOING AS A VIDEO UPLOAD USING 2 THUMB IMAGES

Date: 2005

Media: 18 miles of string, laser cut panels, video projection and recording, small LCD screens and the ghosted presence of prior visitors

Size:

Where: Florence, Italy, Louisville, Kentucky, Asheville, North Carolina, Black Mountain, North Carolina

Conceptual Intent:

Project description:

FLAG OF US

IMG_2333

IMG_2315

Title: Flag of US

Date: 2017

Media: an American Flag as an eating surface and a drawing surface, food, drinks, oil pastels, musical instruments, immigrants, faces

Size:

Where: a barn in Fairview, North Carolina

Conceptual Intent: To turn an American flag into a flag of US

Project Description:

DISPERSED MEMORIAL

dispersed memorial

Title: Dispersed Memorial, Original

Date: August 2001

Media: 3,022 glass viewing plates dispersed and positioned anywhere within an 8-mile radius the distance from which one would see the towers with the naked eye, and each inscribed with the missing outline of the missing towers from that particular spot and the biography of each lost life.

Size: ((3,022 glass viewing plates,)) one glass plate for each ((lost life)) (missing person) dispersed within an 8-mile radius, the distance from which one would see the towers with the naked eye. One viewing plate for each lost life.

Where: NYC

Conceptual Intent: To acknowledge each live lost during the tragedy of September 11, 2001 as well as to reconstruct as many views((, as lost lives,)) of the city’s lost skyline celebrating the ephemeral and impromptu nature in which people lit candles simultaneously in the days following the events that took these lives, intersecting the everyday activities of the city as an organizational pattern that engages daily life. It also gives each victim’s family the opportunity to choose a specific location in the city to honor their loved one.

Project description:

__________________________________________________________________

VIDEO AND WEBSITE UPLOADS : ?? minutes

THE POWER OF 10^10

325853_10150406028048663_28598879_o

392764_10150478778093663_1369447197_n

301534_10150287696523663_1698603132_n

10^10 Blow Out

10^10 Blow Out

Title: The Power of 10^10  video:  3:54 minutes FIND ONE IMAGE TO REPRESENT

Date: 2011

Media: 10 pieces of cloth, a sewing machine, 10 dresses, 10 locations, 10 dancers, 10 voices, 10 languages

Size: Exponential

Where: ((10:10 ?)) 10 Lexington Avenue, Asheville, North Carolina

Conceptual Intent: A visual, auditory and kinesthetic performance in which guests experienced first-hand the exponential power of design and envision how it can effect the world.

A visual, auditory and kinesthetic performance in which guests experienced first-hand the exponential power of design and envisioned how small ideas can effect the world with big positive results.

Project description:

Project website: ?

DIA DE LOS TRASTOS

dia de los trastos

dia de los trastos

Title: Dia de los Trastos

Date: May 2008

Media: Discarded neighborhood furniture and household items arranged on neighborhood’s public plaza. Documented in video (4:33)

Size: ?? ((size of piazza?))

Where: Barcelona, Spain

Conceptual Intent :

Project Description: Unwanted domestic items, normally disposed off on Tuesdays at this particular neighborhood were redirected into the neighborhood’s Plaça de la Merced. The project’s team brought in a few items, a gesture that silently invited contagious participation by passerby throughout the day. This furnished the public space with several domestic spaces, dissolving boundaries between residents. Homeless people, tourists, students and others collaborated and then played music and games together into the night. (video 4:33)

 

More info: ??

((interactive collaborative performance))

10X10, A TABLE

10^10, A Table

Title: 10X10, A Table 2:18 minutes

Date: May 2011

Media: Musical Instruments, oil pastels, a pink table

Size: ??

Where: Asheville, NC

Conceptual Intent : Collaboration

performed and created by 10 immigrants to the stop and go rhythm of the music created and performed by another 10 immigrants joined by visitors of all ages Visitors of all ages joined the artists in drawing, expanding the collectivity and also participating in the creation of this drawing. In this game no one is left behind.

Through drawing and music, the most basic cross-cultural mediums of communication, the immigrant artists share collective memory of transformation to reveal a permanent layered image of their emerging faces. Faces on top of faces, gestures on top of gestures gesticulate and represent the many faces of immigration and the transformation that takes place when one merges the stories of two cultures, and when many emigrants/immigrants merge their memory of that transition with those of others.

Project Description:

CITY SCAN

Title: CiTy_SCAN or BiCi_N or both 4 (video 1: 4:13, video 2: 6 min)

Date: May 2011

Media:

Size: ??

Where: Asheville, NC

Conceptual Intent :

Project Description:

More info:

FLAG OF US

Title: Flag of US password: 37 sec password: FlagOfUS

Date: 2017

Media: an American Flag as an eating surface and a drawing surface, food, drinks, oil pastels, musical instruments, immigrants, faces

Size:

Where: a barn in Fairview, North Carolina

Conceptual Intent: To turn an American flag into a flag of US

Project Description:

 

NY A/V – 3 speeds

USE POSTCARD IMAGE AS TITLE IMAGE

Title: NY A/V, 3 speeds 2:55 minutes (GIVE LINK TO LONGER VERSION)

Date: August 2001-2004

Media: 625 stationary video shots over seven days zooming north connected into one seemingly continuous zoom and played within a moving container marked with information about the city, ((pulled by a truck and encapsulated with the information collected as sounds and moving images traveled)) traveling the same trajectory four years later as a cross-section through the city and through time.

((drawn by the movement of the investigators’ bodies/camera as if giant instruments with which to measure, locate, inscribe and represent the city. The representation is temporal, inhabitable and interactive.))

Size: 255 city blocks

Where: Broadway Street in Manhattan, NYC

Conceptual Intent: expanding traditional means of representation ((through)) via a full scale inhabitable moving document. ((which combines)) combining the vocabularies of drawing and moving image and invites the inhabitants of the city to actively become aware of their ever changing environment. ((This study, which merges the vocabularies of drawing and of moving image to address time in the study of place is drawn by the movement of the investigators’ bodies/camera as if giant instruments with which to measure, locate, inscribe and represent the city. The representation is temporal, inhabitable and interactive.))

Project description:

DRAWING IN BETWEEN THE LINE

drawing in between the line

FIND VIDEO AND UPLOAD

Title: Drawing in Between the Line

Date:

Media:

Size: ??

Where: In front of MACBA

Conceptual Intent :

Project Description:

More info:

DISPERSED MEMORIAL

dispersedmemorialimp_4147ms

dispersed memorial

Dispersed Memorial

http://www.dispersed-memorial.net/blog/

http://www.dispersed-memorial.net   (needs some updating and cleaning up)

PROXY_PROJECT

PF long layout p 4

PF long layout p 11

PF long layout p 10

http://www.proxy-project.net/

 

VIDEOS

The Powers of 10^10 3:54 minutes

The Making of PROXY_Florence 1:43 minutes

 

CiTy-SCAN 4:12 minutes

BiCi_N 3:40 ?

BiCi_N

31 seconds ??

NY A/V 3 speeds 2:55

NY A/V 20:10 minutes

35 minutes so far of videos (NY A/V sends it over the top with 20:10 minutes)

Hippy Van 2:56

LOVELY~

Motion Mapping 1:00 minute

TOO FAST – slow it down

Dia de los Trastos 4:33

Dia de Los Trastos – Unwanted domestic items, normally disposed off on Tuesdays at this particular neighborhood were redirected into the neighborhood’s Plaça de la Merced. The project’s team brought in a few items, a gesture that silently invited contagious participation by passerby throughout the day. This furnished the public space with several domestic spaces, dissolving boundaries between residents. Homeless people, tourists, students and others collaborated and then played music and games together into the night. (video 4:33)

 

 

Motion Mapping

10^10

CATSCAN

hkav

TAKE OUT

Motion Mapping

MOTIONMAPWITHCREDITS_022307_Page_16

 

USE VIDEO INSTEAD

10^10 Blow Out

USE VIDEO INSTEAD

10^10 Blow Out

USE VIDEO INSTEAD